Edition 24, March 2005

   


Glenn Folkvord, chief editor
 

A rant about my own position this time. Each month we here at Electronic Shadows receive a lot of CDs that record labels and artists want us to review, but even more we receive press releases and promotional material, electronically and printed. All very nice and good indeed.

But. It seems to me that a lot of PR people / artists think we journalists and critics fall for lengthy poetic descriptions of their new music. Not that music is easy to write about, indeed it can be like dancing about architecture, but if you want editorial coverage, my free tip is to get rid of the fluff and stop trying to impress us, and give us some facts to report to our readers. We're not so much interested in reproducing the line "a big lush recording of elegant beauty" which is only slightly more than nonsense, as in letting readers know the facts and then judge for themselves.

So basically, don't forget to add some facts about the album, the artist, the music, or even the instruments used. Many electronic music fans are also gearheads, don't forget that. Tell us how the album was recorded, when and where, what the background of the artist is, what the context or inspiration of the music is, who collaborated during the recording, if the music has been performed at concerts, what future plans include, etc.

This will give you better chances for editoral coverage, at least here at Electronic Shadows but also in other publications that require information and not emotional poetry in their articles.


Electronic Shadows is Norway's only web portal for classic electronic music, but with the internet being as borderless as it is, not only can you access it from everywhere but we can also bring information and reports from everywhere. In this edition we visit USA, Germany and England and we have previously been to countries such as China, Egypt, Mexico, Finland, Holland and many other places. When you visit countries through information, it's fast, free and fulfilling. Not unlike travelling with imaginative electronic music as your transport!
  

  


In this edition we bring you interviews with EM pioneer Klaus Schulze as well as the UK EM label Neu Harmony who probably owes a bit to Klaus for paving the ground for some of their artists. And we peek at prog-rock-synth territory with a report from a recent Erik Norlander gig in California.

And don't forget our new album reviews and EM scene news! This and much more in Electronic Shadows #24.
  
The archives includes all our past reviews, news items, concert reports and more, so make a cup of spicy tea and feel free to spend some time here at electronicshadows.com


New to this website? Try our archive section with 109 pages of CD reviews, music news, interviews, synthesizer technology and concert reports! 
 


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New to this website? Try our archive section with 109 pages of CD reviews, music news, interviews, synthesizer technology and concert reports!

Our EM web shop is artist friendly; earnings are channeled directly and unabridged to the artist, or the independent label behind the artist. We do not sell CDs from major labels! Artists included: Erik Wøllo, Biosphere, Current, Circular, Dystopia, and more!

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This month's Artist Profile is Klaus Schulze, one of the pioneers of classic electronic music, and one of the founders of the Berlin School direction of EM.

Also remember our Concert & Festival page which is perhaps the biggest overview of electronic and ambient concerts and festivals from all over the world!

 

Electronic Shadows is the one-stop website for traditional and new electronica. You will find reviews, news, gig guides, concert reports, tech articles, artist profiles and more. Together this makes the Electronic Shadows web magazine a useful resource for anyone who wants information about electronic music.
  

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